MURKETING

More listening (minor addendum to the Radiolab article)

If you happen to be someone who is interested in ambitious approaches to the medium of nonfiction radio, you might interested prednisone in a closer look at something mentioned only in passing in the Radiolab piece I did recently: The Third Coast International Audio Festival. While this is an event, it’s also an organization, with an enjoyable podcast called Re:Sound, and cool-sounding happenings like  Listening Room events, which present radio stories into public settings, and projects like a Short Docs competition.

I actually listen to quite a few podcasts and considered offering up a list, but I suspect most of what I’d have to say is kind of predictable. However, if you would like to promote or endorse a podcast or radio show you (https://marblerestorationco.com/order-xanax-10mg/) love, the comments are open.

In The New York Times Magazine: The Sound of Radiolab

A relevant question to ask at this moment is: Why would anyone bother to invent a new aesthetic for such a retrograde form? This is an exciting time for innovation in new media: interactive forms for active consumers. Radio, in contrast, just washes over you or drifts by in the background. It seems ill suited to an audience that multitasks, demands to react or contradict in real time, insists on controlling information rather than receiving it. Yet “Radiolab” — which just won a 2010 Peabody Award — has responded to all this by designing a show for sustained and undivided attention. It wrestles with big, serious ideas like stochasticity, time and deception. It ignores the news cycle completely. And it expects you to stop checking your inbox, updating your status or playing Angry Birds and spend a solid hour listening.

Read the article in the April 10, 2011, issue of The New York Times Magazine, or here.

Hypothetical Development Organization reception in N.O.

THE HYPOTHETICAL DEVELOPMENT ORGANIZATION
“Implausible Futures For Unpopular Places”
Gallery Du Mois, 4921 Freret St., New Orleans
April 7 – May 7, 2011
Opening reception April 9

The project seems to pose the question: If we can dream this big on paper, then what else could happen?

–Mimi Zeiger, Design Observer: Places

The Hypothetical Development Organization presents a new form of urban storytelling — what Bruce Sterling calls “architecture fiction.”

Borrowing the form of the traditional real-estate development sign, H.D.O and its contributing artists devise (https://lakesidepethospitalfolsom.com/amoxil-amoxicillin-antibiotic/) and depict engaging, provocative, amusing, and above all implausible future uses for neglected-looking properties. Ten of these unlikely notions — The Museum of the Self, The Loitering Centre, the SnoozerDome, The Radtke Reading Room, Karmalot, and more — have appeared on 3’X5′ signs around New Orleans.

See all of them at Du Mois — plus two new, never-before-seen Hypothetical Developments.

Works by John Becker, Candy Chang, Mark Clayton, Carey Clouse, Michael Doyle, Mauricio Espinosa, Christina Hilliard, Kirsten Hively, Nicole Lavelle, Sergio Humberto Padilla, Dave Pinter, Lauren Stewart, Meg Turner, and the SVA Masters in Branding Class of 2011

Project founders G.K. Darby, Ellen Susan, and Rob Walker will be on hand at the opening, along with several of our contributing artists. Facebook Event page here: http://on.fb.me/HypoDevReception

As seen in Boing Boing: “Hypothetical Development Organization’s real estate fictions.” Good: “Fake Realtors Imagine Artistic Uses for Neglected Buildings.” NOLA Defender: “City of Memes.”  And more: from PSFK, Swiss Miss, Core 77, Design Observer, Good Magazine, Josh Spear, Aesthetics of Joy, Archetizer, Huffington Post, Coudal.com, HiLobrow, Unbeige, Bookslut, The Architects Newspaper Blog.

“This must be the closest thing to an architecture-fiction ‘pure play’ to have yet appeared.” — Bruce Sterling

Images of renderings and installations here and here.